10 Pitchfork Staffers on Their Favorite Specific Moments in Songs | Polyester Satin Ribbons Sample Continuous Dyeing Machine

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4 & 5 annoy me. I think it’s accurate, of course. But I don’t recall anyone of influence in banking or gov’t complaining about inflation in home prices. The CPI didn’t show it, b/c it doesn’t look at them directly. But now home prices are used to warn of deflation… It’s inconsistent, and I think any meaningful discussion of inflation/deflation has to begin with pointing out problems with the gov’t measure. Either home prices are a factor, or they are not. I think they should be, but they have not been in the past decade.

MARC RIBOT “Songs of Resistance: 1942-2018,” the guitarist Marc Ribot’s response to a global wave of tribalism, authoritarianism and isolationism, is both historical and up-to-the-minute. It juxtaposes anti-fascist songs that date back as far as World War II with new ones, leaning toward persuasion and compassion rather than hectoring. Guest vocalists include Meshell Ndegeocello, Steve Earle, Syd Straw and Mr. Ribot’s longtime employer, Tom Waits. Anti-. Sept. 14. (Pareles)

I actually hate smoothies more than most things, they leave me sloshy and weirdly too full. But I LOVE olives, all kinds, could live off them.

Respondendo a pregunta de isaac creo que o decubrimento de vida noutros planetas non e unha prioridade hoxe en dia, e un tema interesante claramente, pero creo que a ciencia deberia centrarse en outros aspectos, como por exemplo a nanotecnoloxía.

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An indignant Lefkowitz wrote to Acosta: “You … assured me that your office would not … contact any of the identified individuals, potential witnesses or potential civil claimants and their respective counsel in this matter.”

In 1996 Adrian Piper wrote, "It seemed that the more clearly and abstractly I learned to think, the more clearly I was able to hear my gut telling me what I needed to do, and the more pressing it became to do it." Since the 1960s, this uncompromising artist and philosopher has explored the potential of Conceptual art—work in which the concepts behind the art takes precedence over the physical object—to challenge our assumptions about the social structures that shape the world around us. Often drawing from her personal and professional experiences, Piper’s influential work has directly addressed gender, race, xenophobia, and, more recently, social engagement and self-transcendence.

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